WMV Music Web Log

Musical musings by Carl and guests

Tuesday, March 04, 2008

When I was a young man in NY, I would meet artists who would say to me, you are not an artist, because you only play other people's music. A composer is an artist, but not you. Even from older folks, who should have known better. I thought this is not fair, because, after all, I suffer like an artist!

The suffering of artists - is just like that of other people, only slightly different. Someone might say, oh I am untalented and stupid, and that is suffering. I will earn money and raise a family and watch the ball game or cook dinner. An artist says, oh I am untalented and stupid, and I am compelled by some inner urge to create something which might be awful and make me ashamed and embarrassed. (And probably won't earn me any money, but that is another blog).

So, all artists that I know encounter this demon, the same one we all encounter but some manage to avoid, maybe by unfortunate collusion, that says we are worthless and have nothing to say or lack the capacity to carry out whatever it is that we wish to do. Just when you think you have a handle on it: see, I can prove that I'm good, I did this or that to demonstrate it, then it gets really bad, like a general conspiracy between inner and outer forces to strangle the creative impulse. So, artists devise ways to hide what they do even from themselves, so as not to attract the evil eye.

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Comments:
About your first paragraph, you can make the case that both composer and performer are artists. In the hands of a sensitive and skilled performer, the art of the composition may be enlivened and aspects of the music revealed in ways that were not fully appreciated at first by the composer.

About the self-doubt and suffering of artists -- once you get past the notion that the popularity of or monetary gain from your work defines your worth as an artist, you may hope to arrive at a standard involving your own integrity, or soul: Can you look at your own work and judge it to be good or not good, no matter what others say? And if you don't like a piece of your work, can you find a way to fix it (even start over) without beating yourself up?
 
Hi Mike,

As always, I appreciate your thoughtful comments! I would just say that as a performer, getting beyond the issue of public appreciation is a tall order. And the monetary gain issue is quite a thorny one as well. Although artistic integrity is central, it is very hard to keep going without any signs of notice or appreciation from the public.

BTW, I have been listening to the Mariano Castro CD with great pleasure. What an honor for him to have arranged your Afligido and recorded it so beautifully!

Carl
 
Carl, you're right, of course, about the importance of some sign of support and appreciation from the public. In art and in life, we can't stand entirely alone, and I think maybe people expect each other not only to give each other recognition but also to seek it from each other. It appears there needs to be a balance among personal integrity, seeking approval, and giving approval.

For the artist, though, this balancing may be especially important and difficult. The artist, more often than others, may be in the position of having to "go it alone" for awhile, to the ultimate benefit of the art, the artist, and the public, we hope!
 
P. S.
Thanks, Carl, for your recognition of Afligido, and I'm sure Mariano would like to see your note as well. (I'll forward it to him). This proves your point, at least with me -- it is great to get recognition, and thanks again!
 
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