WMV Music Web Log

Musical musings by Carl and guests

Friday, May 02, 2008

I just gave away two books on aesthetics - I had had enough of them. However, it must have jogged my thinking. One of the books is an attempt at a Christian basis for aesthetics. Very tedious! And some foolish attempts to define "bad" or anti-social, or anti-Christian art. However, I do agree with some parts of it.

All the various artistic enterprises base themselves on a spiritual stance, which is the foundation of the relevant aesthetics. That is, aesthetics talks essentially about the relation between art and spirituality.

Two relevant (approximate) quotes: "You ask if it is good music. I answer, good for what?" (Pete Seeger). "It may be the devil or it may be the Lord, but you've got to serve somebody" (Bob Dylan). You can see this worked out obviously in any aesthetic sphere. Good to make money, good to advance a career, good to sell something, good to avoid offense, good to pander to the corporations, to the owning class, to the middle class, to the working class, or to the poor.

Or good to encounter the depths of the human circumstance, to share some love with our brothers and sisters on the planet. Or to stand up for the human species and testify about what is truly good about us. Or to reflect seriously on what it is we really are, before we all redissolve into stardust. My own aesthetic is fundamentally religious - I want to be shook to my core. Aristotle quite agreed!

One more thing: I don't think you can have it both ways.

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Comments:
Carl, I agree in principle with your observations about art and spirituality. But I'm not sure about this in terms of music being produced and consumed in practice.

It would appear that it is the rare musician who can both move people spiritually and make a decent living from just doing music. It's a lucky composer, for example, who is both supported by a well-heeled person or family or institution and also turns out music that moves the human spirit. Many would say Bach (supported by the church) and Mozart and Beethoven (supported, I believe, by the aristocracy) are examples of this. Not everyone on the planet, however, is moved by their music, even the "best" of it.

Now, in this day and age, can we say, for example, that the corporations who appear to own popular singers and musicians are supporting music that can move the human soul?

Probably yes, in some instances. So much, however, depends on the listener's own tastes. I can listen to a song and be irritated to the core, while my neighbor may love to hear it over and over. Having a high regard for my own taste, I tend to ask: Is it the soul of my neighbor that is being affected, or something else more basic, or even vulgar? But if I try to be fair to my neighbor, I must also ask: What is the line, or the distinction, between "physical" and "spiritual"? Or, from another angle: Are there not aspects of both the physical and the spiritual in human beings that may be considered reflections of the goodness of humanity?

Thanks again for your thoughtful and thought-provoking observations!

Mike Strand
 
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